After the previous episode of Cosmic Disclosure, I was almost sure that the topics within that episode could not be topped. I thought that with regard to proof, conceptual continuity, and presentation of established, historical evidence, nothing could outdo Blue Avians and Spheres in Ancient Art. I was wrong. The content within this episode, Symbiotic Relationships of Ascension was mind-blowing, in my opinion.
What is even more interesting is the fact that Corey Goode did not seem to have complete knowledge of the connections his testimony had to ancient art, to present-day knowledge thereabout, and to the texts of the Law of One. It seems that so many dots have been connected between Goode's testimony, and religious iconography through the ages that there is little reason left to doubt that such testimony is reliable.
However, I've said enough. Let's get to the transcript.
Cosmic Disclosure - Symbiotic Relationships of Ascension
David Wilcock: All right. Welcome back to “Cosmic Disclosure”. I'm your host, David Wilcock. We've got Corey Goode here, the insider's insider. And we have as our special guest mythologist, art historian, William Henry.
And the reason why I really like what William Henry has done is, first of all, he's been around as long as I have. He's a real veteran in this field. But more importantly, he's talking about ascension from a perspective of bringing in practical data.
There's a lot of people who have been around a long time. They talk about this stuff, but it's, “Oh, I'm channeling this, that, or the other.” There's no real reference point, no way to prove that what they're saying is true.
But William, you're bringing in hard data. You've got things we can look at, things that clearly have a history behind them.
Cosmic Disclosure with William Henry, Corey Goode, and David Wilcock: Blue Avians & Spheres in Ancient Art
William Henry: Yeah.
David: And you were telling us about this painting of Jesus here. Let's get into that again. These stars that we're seeing. Those stars represent what?
William: Well, it represents the cosmos. When we're looking at Jesus in a blue sphere, which is what he's in, filled with stars, I read that stargate from our contemporary perspective.
William: And you know, when you research the Dead Sea Scrolls, which were the books of the Essenes, it's remarkable, and even in the Bible too, it's remarkable how many times they reference gateways, portals. So they're clearly . . . and stairways to heaven. So this is not too far out of an idea. It's actually in these texts that they are describing beings coming and going from the celestial realms via stargates.
Corey: With the terms they had . . .
William: With the terms that they had then.
Corey: Right.
William: Right. We can say wormhole today. We can talk about Calabi spheres. We can use scientific terms if we want, but hey, let's just keep it simple, okay, because people now, thanks to movies like “Stargate”, “Contact”, “Interstellar”, we have the physics behind it and now we have the visuals.
We have a consciousness that says, “Okay, we've caught up with these super-advanced beings that travel the cosmos in stargates, wormholes, or blue spheres. This is one way to do it.
David: Now, Corey, you've said that you feel that the stargate itself, the blue sphere itself, is alive.
Corey: Yes. Well, the Blue Sphere is one of the five beings in the Sphere Being Alliance. So it is a higher-density being. So it is a higher-density being. It's an actual being.
William: Yeah. Right. I would go along with that.
David: So this is like a symbiosis then between the person in the being and then the being itself as the sphere.
Corey: And both the Inner Earth and the Blue Avians have explained that they are in a symbiotic relationship with humanity and our co-creative consciousness and our mass consciousness.
David: Well, what's so bizarre about this is anybody who's been watching “Wisdom Teachings” knows I did a whole long sequence on Wilhelm Reich and his idea that the precursor for biological life . . . I've always been talking about life is a quantum field effect. Life precipitates out of the quantum vacuum.
Explorers Remake: A Modest Proposal
William: Incredible.
Corey: I hadn't heard that.
David: So this is like getting us a through-line now between macro, macro, because you're saying the largest of these blue spheres in the solar system are how big?
Corey: The largest of them contains . . . Our solar system is contained by one of them.
David: Oh, the outer barrier is a sphere.
Corey: Yes.
Sun Cruisers - with David Wilcock and Corey Goode: Slides and Commentary from the Conscious Life Expo
David: Wow! Okay.
William: Well, think about the she-powers, the Siddhi powers, which are the eight great powers, instant materialization of wishes, invisibility, levitation, and the ability to make yourself as big as you want or as small as you want.
David: Right.
William: I mean, these would be part of the consciousness powers of these beings, right?
Corey: Co-creative manifestation.
William: Yeah.
David: The whole point too in terms of scaling when we're dealing with a holographic universe, in the hologram, in a fractal, no matter how much you zoom in on the fractal, you keep seeing the same pattern.
William: Right. And I love that word “scale” in this context. Jacob scaled the ladder to heaven, so he ascended, right? But scale's a musical term, so he raised his vibration.
Note:
I was actually glad to hear this subject of religion and sound frequency brought up during the discussion. As it turns out, there is exhaustive evidence which suggests that all major religions originated from the same point. This point was the ideology that the universe is founded upon sound and frequency as its basic structure. From this proposal, we can observe multiple examples of this inspiration in numerous settings.
Cathedrals and Music - with Martin Goldsmith and Douglas Major
Consider for a moment, the concept of the standing wave. A standing wave is basically a stationary wave which maintains a constant amplitude. These waves do not propagate as most of us think of waves to do, and interestingly enough, they are the foundational principle which give us continual sound in musical instruments.
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| http://www.acs.psu.edu/drussell/Demos/StandingWaves/StandingWaves.html |
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| Church of the Transfiguration of the Savior, in Thessaloniki, Greece (Sharon Gerstel) |
“What was truly surprising for me,” Donahue said, “was going into a space that was ancient, and to crawl around the ceiling and look at the walls and realize that they were looking at things acoustically. It wasn’t just about the architecture. They had these big jugs that were put up there to sip certain frequencies out of the air ... They built diffusion, a way to break up the sound waves by putting striations in the walls. They were actively trying to tune the space.”
“They also discovered something that we call slap echo,” Donahue added, “when you have walls fairly close to one another and the frequencies go back and forth. It goes ta-ta-ta, ta-ta-ta, ta-ta-ta, ta-ta-ta, ta-ta-ta. [In the ancient world,] they described it as the sound of angels’ wings.”
When Donahue and his colleagues were in Hagia Sophia—once the cathedral of Thessaloniki——they used a test tone at different frequencies to see how the space responded to sound.* The tone ranged from about 50 hertz, which sounds like a low buzz, to 20 kilohertz, a high-pitched whine. “I heard the standard sweep tone until it hit 6 kilohertz, and then it just spread out everywhere,” Donahue said. “I could hear the fluttering. I said, ‘Wow, those are the angels.’”
http://www.theatlantic.com/technology/archive/2016/02/byzantine-angel-wings/470076/
ScienceDirect - A parametric investigation of the acoustical performance of contemporary mosques
Lets consider traditional Muslim mosques as well. If we look closely, we can see the same attention to acoustic resonance within the architecture of these structures as well. We see the similarity of these structures to cathedral architecture in the domes, the pillars, the entire ceiling and roof structure, and we also see the same striations in the stone work. It seems clear that both schools of thought originated from an understanding of the importance of harmonics, whether it be from traditional chanting, or from choral hymns.
What’s so special (Acoustically) about a Cathedral?
Lets take a look a cymatic patterns for a moment...
It seems fairly clear that aesthetics were not the only reason so much detail went into the radial designs within these architectural monuments...
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| Note the fractal nature of the radial pattern. |
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| The craftsmen behind the original, radial glass-work may have intended to depict the center of universal creation. |
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The same seems to apply to Buddhist mandala.They may have been
a basic pattern to which traditional iconography was later added. |
Corey: Yes. I was about to go there.
William: Right? Goes up to the heavenly realms, then scales back down.
Corey: Goes up the octaves and down.
William: Right. Right.
David: William, what's the teaching . . . because you obviously are a much greater Bible expert than I am and these religious texts in general. Are we looking at a . . . Is the original fall how life is created out of this divine perfection? And do we have to resuscitate from that fall?
William: Yeah. That's the esoteric view of it. The Jewish mystical view was that Adam and Eve were originally light beings. And then when we're evicted from Eden . . . Remember the biblical story, Book of Genesis, Eve eats the apple of wisdom and we're evicted from Eden.
Yahweh, the Old Testament god, does two things. He makes a gate at the east of Eden, which we exit through, places cherubim on either side of the gate. And then the thing most people forget about is he made for humanity coats of skin.
The traditional view is that these are animal skins that are covering the body. The esoteric view is . . .
Corey: Because they were naked.
Biblegateway - "The Fall" (Adam and Eve's expulsion from the Garden of Eden)
William: Right. But the esoteric view is the coats of skin are these skins that we wear, our human skin, because originally we were light beings.
Corey: Luminous.
William: Luminous, radiant, perfect beings. That's the term they used. They were perfect.
David: That's in that movie “Noah”, with Russell Crowe.
William: Yes, it is. Yeah, they drop a line on that.
David: The people of Eden are light beings first.
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| The movie, Noah, is said to be the cabal's version of the story. Notice how Noah (Russell Crow) is facing the dark side of the image while looking over his shoulder at the light side of the image--subtly suggesting that light is "evil" and "worrisome". |
William: Yes, exactly. That's such a key part of this as well, because then Jesus is then the second Adam, whose part of his mission is to show us how to reclaim our original light body form and ascend, right? He's going to show us the way to do this.
Corey: To get out of here.
William: To get out of here. And I've got an image for you, Corey. Look at this. Think about this one.
William: This is Ravenna, Italy, 5th century.
Corey: And he's not in a wading pool. Ha, ha.
William: Ha, ha, right. I mean, they call this a cloud. But who's ever seen a cloud that looks like a blue sphere, right?
Corey: Right.
William: I mean, what are we looking at here? The Earth? You could make an argument this is the Earth that he's on. But no. Going back to the Egyptian images we looked at in the last episode, they're indicating that this is a sphere of consciousness in the very least. It's also a transportation vehicle as well.
Corey: A sphere of consciousness is an interesting way to put it.
Corey: This is occurring in this local star cluster of 50 or so stars, that they are somehow karmically tied to or that there's some sort of not only symbiotic relationship, but there is some sort of attachment that we need to ascend so they can ascend and return to Source, basically.
William: Yeah. I've come across that I my work as well with the Tibetan rainbow body tradition, because the Tibetans teach that this resurrection or ascension teaching, the rainbow body, is taught in 13 star systems, including our own. And you've got beings coming and going from these various star systems, probably through a system of wormholes, right?
David: Oh, wow!
William: So if you think about it, Earth then, maybe we're a colony in a federation - you know, I hate to use the Star Trek term – but a federation of star systems where this teaching is taught.
So the question then is - maybe you can answer this, Corey – are we the strongest link in this chain or maybe we're the weakest one? What if it's us that has to lead the way?
Corey: Right. Well, we do have to lead the way. The whole message is that they're not here to save us. They're not savior beings. They're here to give us a message. And we're to take the message and make the changes and save ourselves.
William: Yeah. Incredible. I mean, it's incredible. But to think that we're linked to 13 star systems, that just goes like . . . and you're saying it's 50, it's more than 50?
Corey: Right. The local star cluster is around 50 or so.
Cosmic Disclosure with Corey Goode and David Wilcock - Celestial Timeline
David: Well, William, I'm just really curious where the references for these 13 star systems . . . Where did you see that?
Corey: That's interesting.
William: Yeah. You know, I was at a conference in California and a couple came up to me, and they told me that they both had PhDs from the Harvard Divinity School. They specialized in the rainbow body teaching . . .
David: Wow!
William: . . . and told me that essentially what this means is that they believe that the body, the human body is designed to be spun into a vortex of energy that dissolves into five-colored rainbow light, leaving behind hair, toe and fingernails, which have no nerves to be transmuted.
And what they said to me is that they worked with the Dalai Lama. They translated Tibetan texts. This is their expertise. And they always wanted to know that - the Tibetans themselves, this is part of their secret teaching - said that once you attain the rainbow body, you can travel to these other 13 star systems.
David: Oh, wow!
William: And they always wanted to know, well, how do they get there? And then they said they were watching one of my presentations on “The Ancient Egyptian Arcs of the Millions of Years” like we looked at, where I identified them as wormholes. And they said they got their answer, that once you attain the rainbow body, your body itself becomes the stargate. It becomes the wormhole and then you can travel to these other star systems.
But let's just think about this just for a moment. If you go into myth and sacred tradition around the world, then you develop a pretty ready list. You're talking Orion, Sirius, Pleiades, Ursa Major. I've just named five. But the Tibetans are saying there's eight more. And I'm sure there are more than 13. It's got to be up . . .
Corey: Right. And some of these are star systems with many stars in them like the Pleiades.
William: Right. So these are all familiar star systems that we can go out and look into the night sky and point out Sirius or Ursa Major.
David: Alpha Centauri.
Wikipedia - Alpha Centauri
William: Right. Exactly. But now the real message here is we're connected to these star systems even while we're in our earthly form. And we can call them in, but I love your message and I agree with it. They need us just like we need them.
Corey: Yeah.
David: So, William, where are we looking here? Is this inside a temple or something?
William: Yeah. Actually, this is in Ravenna, Italy, in a church in Ravenna, Italy, San Vitale, actually. And we see Jesus again on the blue sphere.
NY Times - Ravenna, Italy, Glittering Still
David: Is that gold leaf?
William: Yes.
David: Yeah. Wow!
William: Yeah, mosaics. And you've got the angels on either side indicating, okay, these are celestial beings that we're dealing with. And they're kind of escorting him or providing a power source for him.
And I really like to use the word 'upgrade' too, because in “The Awakened Soul”, my show here on Gaia, I did an episode about the hero's journey but from the soul's perspective, that the whole purpose of our incarnation here on Earth is to get that upgrade.
David: Do you think Jesus is holding his crown of thorns here? What is in his hand exactly?
William: That is a crown. It's also a ring that he's holding. And when you trace that symbol of the cosmic ring, you'll see that in Zoroastrianism as well.
David: Oh.
William: You'll see it in Sumerian depictions where the god is holding a ring. They call that . . . The title for this is, get this, the Ring of Cosmic Sovereignty. I want one. Ha, ha.
David: Ha, ha, ha.
William: Can't get it at Best Buy right now, but maybe soon, right? The Ring of Cosmic Sovereignty. What that means is he can go, be, see, do anything he wants. He's got the ringer vibration that he's a fully sovereign being, and he's a cosmic being.
Corey: It's almost like a seal.
William: Exactly.
Corey: A kingship or royalty, or some sort of title.
William: Right. Exactly. But here's the key to this art. What they intend for you to see when you're looking at an image like this is, again, not a static piece of art, but an invitation.
They believe that the vibration of the blue sphere and the Ring of Cosmic Sovereignty is transmittable through the art. How can that be? Well, you're dealing with gurus here. You're dealing with super-advanced avatars that can even manifest through a piece of art and transmit that vibration to you.
This is why the church is like, “Okay. You know, if people just need a piece of art to get there, what do they need me for?” We don't need a church. We don't need all the books. We don't need the hierarchy of priests.
All the person needs to do is to open their heart and connect with this mentally, physically, spiritually, and emotionally, and they can begin to raise their own vibrations.
David: What do we got next here?
William: Let's see. Oh, here's an angel on a blue sphere.
William: So here's a celestial being in the cosmos.
David: It looks like he's surrounded by them.
William: Right. Exactly.
Corey: And back then, they did not believe the Earth was a globe, correct?
William: No. Right. Exactly.
David: So this is like a matrix of spheres coming in.
William: Yeah. You can read this almost as an interconnecting or link perhaps of star systems.
Corey: It could be spirals, those . . .
William: Yeah. Right. Absolutely.
Corey: Inside the spheres.
David: But Corey, you've also said that we've had a whole bunch of these spheres come into our solar system recently.
Corey: Yeah. Hundreds and thousands.
William: Wow!
David: Ah. There it is.
William: Yeah. There it is right there.
David: Boom!
William: Yeah. So this is a piece of art. This is a transfiguration icon. This is an event in the Bible. Right after Jesus is baptized, he gets these newfound powers. First thing he's going to do is go demonstrate to a few disciples his capabilities. And he takes them up to the top of a mountain and reveals himself as a being of light.
He transfigures, which means he changes his form from flesh and blood into a light body form. And the Bible . . .
David: But he comes out of the tomb . . .
William: This is before that.
David: But people don't recognize him.
William: No, this is before that.
David: Oh, okay.
William: This is early on. This is before the crucifixion and resurrection.
Bible Gateway - The Transfiguration
David: Oh, okay.
William: It's very early on. And so he demonstrates, “Hey, guys, here's a preview of what's going to come later on.”
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Also Read...
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Wisdom Teachings with David Wilcock - Pyramid Power - Fire in the Middle - Show Summary, In-Depth Analysis, and More
Wisdom Teachings with David Wilcock: Pyramids and Ascension – Summary, Commentary, and Links
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